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Mote: All mp3s are VBR (variable
bit rate) 100 - 240 Kbts/sec 44.1Khz highest quality
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| 'Guitars
of Love' ... an instrumental band playing instrumental tunes of the
'50s & '60s with an emphasis on the British take on surf twang - i.e.
the 'Shadows'
This type of musical genre is known mostly by folk in their '50s, who remember the resounding tones of a Stratocaster strung with strings the thickness of fencing wire played through a VOX AC30, gently issuing from Mom & Dad's old valve car radio on the way home from the beach in the early sixties. It's daggy, but good ... |
'Cabin Fever' is a Melbourne R&B band playing some classic R&B & Rock & Roll. Click here for music recorded at the Phillip Island Superbikes February 2011. |
Apart from playing in many bands over the years, I have pursued solo recordings often alacrity. Some of it ..... is pretty good I think. The music is recorded on the simplest possible gear. I take the Abbey Road aproach. Much of has been re-mastered from 4-track recordngs originally made on a TEAC 4 track A3440 reel to reel, and added to in some instances. Some more recently all-digital done on my M-Audio Delta 66 card. |
'Clean Cut' was an Adelaide band which formed during 1976 and played around their hometown of Adelaide in South Australia during 1977-'78. The musical genre was modern R&B and rock & roll - mostly covers of alternative music of the period such as Elvis Costello, Graham Parker & Mink Deville also with a lot of Australian music such as Ross Wilson, 'Daddy Cool', 'The Dingoes' and 'Billy T'. For most of us, this was our first real taste of bandom. | 'Shed For Brains' shortened to 'The Sheds', was a recording project undertaken by Paul Gadsby, Kelvin Fleming (me) and Tony Thornton in about 2004 - 2005. The idea was, to get together and record spontaneous snippets and ideas, and "turn them into something" using loops and then overdubbing. In other words, a modern recording project which none of us had done before. It didn't quite turn out like that, but turned out well... |
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